Rico McFarland Band

For years, Rico McFarland played guitar for such luminous blues artists as James Cotton and Lucky Peterson, before finally launching his solo career in 2001 to much acclaim. Born on March 5, 1960, the Chicago guitarist worked with countless blues artists over the years: Albert King, Otis Clay, Syl Johnson, Artie White, Kinsey Report, and more. He is perhaps best known for working with Cotton and Peterson, however. McFarland recorded his solo debut album, Tired of Being Alone, for Evidence Records in 2001 with a large roster of guests, including vocalists Otis Clay, Syl Johnson, Billy Branch, and Teela. The album won much acclaim and earned McFarland a 2002 W.C. Handy nomination for Best New Artist of the Year.

Biography by Jason Birchmeier

DYLAN SALFER

The following is a 2014 interview from blues.gr.

Dylan Salfer: The Future Legacy 

Dylan Salfer is a new kid in the blues world. A 15 year old blues prodigy or an up and coming blues guitar great. Come out and see him and decide for yourself. He has played many venues in Minnesota, Florida, Chicago, and Memphis. Dylan has also played on stage alongside blues greats such as James Cotton, and the list, keeps growing. Born in Minnesota and raised in the gritty and tough streets of River Falls, Wisconsin. This has formed him into a pint size blues guitarist with size 12 shoes who is ready to stomp and jam with the best of them.

Dylan Salfer talks about his first steps on the blues roads, James Cotton, B.B. King, Tyson Bell, Andy Boterman, Hendrix, Woodstock, SRV and Wisconsin blues scene.

Interview by Michael Limnios

When was your first desire to become involved in music? From whom have you have learned the most tips about the blues?

The first time that I really was introduced to blues music I was actually playing guitar for about a year and a half or two years, at the time I was mostly into "old school" metal like Black Sabbath and people like that. Then my dad's birthday was coming up one time and I asked him what he wanted for his birthday and he told me that he wanted me to learn Stevie Ray Vaughan's version of "The Sky Is Crying" and I had taken the time to learn it note for note off the studio album, and what really sealed the deal was later that year my grandparents had taken me to the Bayfront Blues Festival in Duluth Minnesota and that's when I fell I live with blues. And the person that has helped me the most with tips about playing blues is Jimi "PrimTime" Smith out of Minneapolis. He is my "father in blues" and I owe a lot to him. He has helped me more than he could imagine.

What do you learn about yourself from the blues and what does the blues mean to you?

I've learned to stay true to myself and to others, because the blues is the truth, it's raw, and it's to the point. Your telling the truth and experiences when singing or playing the blues. But it's not really what I learn about myself it's what I learn about others from the blues, I learn where they are coming from, what they have been through, and what they have to say about all of it. And the blues means everything to me, literally. I have found out that the blues is not just something you do or hear, it's who you are. It's a lifestyle, I live the blues, and the blues lives me.

How do you describe Dylan Salfer sound and songbook? What characterize your music philosophy?

I describe my sound as everybody I've ever heard put into a melting pot, or maybe like a bowl of stew or something, it's all crammed in there, all these different sounds from everybody that's ever influenced me and I take a spoonful from over here and over there and come out with this blended sound of everything, you might hear Some Jimi Hendrix and some Joe Bonamassa and some Robert Johnson in this spoonful or Muddy Waters, and Howlin Wolf, and BB King in this spoonful, or John Mayer, and Robert Randolph in this spoonful, but it's different, even though I might be playing some of the same licks as some of these guys have played, I play it differently, with a twist. That's more how I make it my own sound. I also like to really think outside the box, Jimi Hendrix is a huge influence of mine, and he thought way outside the box. And I like to surprise people by playing stuff that is way outside the box and wild and come up with all new sounds that people haven't heard before, I really try to push the limits a lot with how I play. I try to be as creative and open minded as I can, never to stop learning, because as soon as you close doors and stop learning or listening there isn't a point in doing it anymore because you'll never improve.

Why did you think that the Blues music continues to generate such a devoted following?

I think that the reason the blues has such a devoted following because it's so truthful and down to earth music. There no more pure music than that. It's straight from the heart and soul. And that touches people.

What are some of the most memorable gigs and jams you've had? Which memory makes you smile?

There are many, But a few that stick out are when I got to play with James Cotton and his band, he is one of the greatest bluesmen of all time, and has influenced me so much, and it was really a dream come true to get to play with him. Most people would think that that would be my favorite one but my all-time favorite gig has to be with my band "The Dylan Salfer Trio" I have the best drummer that I have ever played with and could ever ask to play with Andy Boterman as well as the best bass player I have ever played with and could ever ask to play with, Tyson Bell, son of harmonica player Carey Bell, and I mean that. These guys are some of the most talented and amazing musicians on the planet, and my two best friends. I love these guys dearly. Tyson is like my second dad, he is always there for me, and looking out for me, and supports me in everything I do. And when it comes down to it, no memory will ever make me smile more than playing with those two guys.

Are there any memories from James Cotton and BB King which you’d like to share with us?

My best memory with James Cotton was actually not even when I got to play with him, it was when we were sitting down talking before the show and he complimented these boots I was wearing, and we started talking about boots and clothes and he liked that I dressed like a southerner, because he lives in Austin, Texas. That was my favorite memory with James because I got to know that he is really such a down to earth guy, and very honest and kind human being. And my favorite memory from BB King is when he was talking to me he held my hands in his, I've never been more nervous in my life, he was just the most true spoken and down to earth guy.

From the musical point of view what are the differences between: Wisconsin and the other local scenes?

We'll even though I live in Wisconsin I am only 20 minutes away from Minneapolis Minnesota by car, I'm just right over the border from Minnesota, so I don't really know much about the Wisconsin scene because where the Wisconsin scene is really going on is in Milwaukee and that is about 4 and a half hours away from where I live so I don't really go out there. I can say that the Minneapolis scene is absolutely amazing though, there are so many absolutely outstanding musicians there it's unbelievable, and Minneapolis has it's own sound too, there's Texas Blues, there's Chicago blues, there's British blues, and there is Minneapolis blues believe it or not.. In my opinion Minneapolis is the best kept music secret in the world.. You have to come here to find out what it's all about!

Which meetings have been the most important experiences for you? What is the best advice ever given you?

Again the most important meetings I've ever had are meeting Tyson Bell, and Andy Boterman. I wouldn't be where I am, or be the musician I am without those guys, I owe everything to them. The most important advice given to me was by BB King, when I met him he held my hands and liked me in the eyes and said "Stay True to yourself, and who you want to be, and don't let anybody get in the way of it" I live by that advice.

What do you miss most nowadays from the blues of past? What are your hopes and fears for the future of?

What I miss most about the blues of the past is the people, like Muddy Waters, Howlin Wolf, Elmore, T-Bone, and people like that. And just how raw and truthful the music they played was.

If you could change one thing in the musical world and it would become a reality, what would that be?

People taking advantage of musicians, whether it's stealing there songs, or roping them off money wise. It's not right, that's what I hate about this business.  

Let’s take a trip with a time machine, so where and why would you really wanna go for a whole day..?

One of two places, either Woodstock 69' to see Hendrix, or Alpine Valley 1990 to see Stevie Ray Vaughan's Last concert. Because those two guys are two of my biggest influences in music and in life.

Corey Dennison Band

 Born in Chattanooga, Tennessee, Corey Dennison spent a majority of his childhood moving about Tennessee and Georgia. As a young boy, Corey heard the powerful, soulful sounds of the Blues on late night radio programs and recalls being captivated by the music. He received his first guitar at the age of 6 and began to imitate the music of artists such as Gatemouth Brown, Albert Collins and Albert King. Corey immediately felt a strong connection to Soul music. “I just loved the way Soul music made me feel from my head to my toes. I remember humming along to songs from Wilson Pickett, Curtis Mayfield & Sam Cooke.” This marked a lasting impression on his musical style and is clearly visible today in his soulful vocals and fiery guitar solos.

Corey found his musical calling while hanging out with his harp playing uncle. “My Uncle snuck me into clubs where I saw some of the greatest Blues cats of all-time, Albert King, Albert Collins and Junior Wells. This is where it became clear to me; I wanted to be a Blues Man." He spent 12 years honing his skills as a sideman for Carl Weathersby, a mentor beyond the music: " Pop has really showed me the real me and have helped me in a lot of ways. Showed me what to do what not to do. I wouldn't know anything if it was not for Carl and my brothers-in-arms." Playing with Weathersby blessed Corey with opportunities to share the stage with such musical greats as The Kinsey Report, Robert Blaine, Chico Banks, The Steepwater Band, Jimmy Johnson, Robert Randolph, Derek Trucks And John Mayer, Gerry Hundt, Nick Moss, Lurrie Bell, Carlos Johnson, Bill Dickens, and Buddy Guy.

Long-awaited by loyal fans, The Corey Dennison Blues Band debuted in Chicago in early 2013, storming the stages of Buddy Guy's Legends, Rosa's, and Leroy's Hot Stuff. In late 2013, Corey's always entertaining stage presence prompted the release of "Live in Chicago," a thrilling document of a typical night in a Windy City blues club. The album left little doubt that the Blues had found its premier young lion in Corey Dennison. After spending much of 2015 storming both sides of the Atlantic with harmonica master Sugar Blue, Corey is back in Chicago and The Corey Dennison Band is now part of the legendary Delmark Records family.

The Claudettes

Six albums into their lauded career, the Claudettes (of Chicago) continue to put a fascinating new spin on American roots music. Blues and R&B are laced with punk spirit and film-noir moods to create the band’s singular “garage cabaret” sound. The Claudettes have earned worldwide acclaim with their recordings and concerts that are equal parts heart, musicianship and theatrical flair. Force-of-nature vocalist Rachel Williams (who dominates the stage like a glam-rock rebirth of Annie Lennox and renowned pianist/songwriter Johnny Iguana join the positively heroic rhythm section of Zach Verdoorn (bass, guitar, vocals) and Michael Caskey (drums). Outside the Claudettes, Iguana has toured with Junior Wells and Otis Rush, played on many Grammy-nominated albums and recorded with Buddy Guy, Junior Wells, Derek Trucks, Mick Jagger, Keith Richards, Johnny Winter and more. Johnny is also composer of the score for the Emmy-winning smash FX/Hulu series “The Bear.”

“Chicago’s original recipe band…The Claudettes’ sonic playing field is the blues and everything after, all tastefully and artfully blended together….Perhaps the band’s greatest super power: songwriting.”—NPR Music

“A skewed cabaret band of blues, jazz and rockabilly…a sensibility that feels equal parts James Dean and David Lynch.”—Minneapolis Star-Tribune

“Holy Mackerel…I hear so many levels of what I consider amazing creativity…I hear touches of Jerry Lee Lewis at his most manic…of cinema…of multiple genres wrapping around one another…These guys are the B-movies of the music world—maybe not understood now, but in the future, the kings and queens of the universe!”—Frank Gutch Jr., No Depression

“The Claudettes Go Out! shows the band’s mastery of every era of American music, from the roots of the blues to today’s modern pop….the Claudettes pen standards for a new generation.”—J. Poet, Rock & Roll Globe

Jay Stulo & the Blue Notes

Jay Stulo and the Blue Notes, based in central Wisconsin, is a 7-piece swing band that plays swing and early RnB Blues. The band is made up of:
Jay Stulo - Guitar and Vocals
Jason Karnitz - Bass
Chad Wirl - Drums
Pete Shank - Organ
Nathan Mallek - Bari Sax
Rod Keyzer - Saxophone
Larry Glenzer - Trumpet

Craig Baumann & the Story

 Played in early years with his Grandfather Ron Klein and Uncle Al Baumann learning roots in Vintage Country and Blues. 1996 birthed Roadhouse Blues Band which eventually renamed Fat Maw Rooney in 2003. In addition to FMR, Baumann explores his acoustic roots in the project Honest Monday (2009). In 2013 Baumann took over other lead guitar in the Rock Country Band Smokin Bandits. 2014 brought some more electric fueled blues and soul from Overserved Gentlemen, with another album on its way. 2016 hooked Baumann into The People Brothers Band playing high energy Blues Funk Soul Dance.

Minnesota based singer, songwriter and guitarist Mark Cameron has been active in live music for over thirty years. Mark began his performing career in the rich folk-rock scene of the early 1970’s and brought this influence into several bands he founded during the 1980’s and 1990’s. Today Mark’s focus is centered on crafting original Blues songs with strong melodies and memorable lyrics. The range of Mark’s material stretches the Blues beyond safe limits with a focus on “foot stompin, butt shakin” music that is built for a live audience.

After five studio releases in the 1980’s and 90’s, Mark turned his focus to the Blues with “Life of Illusion” in 2009. The song “Boxcar Blues” became an instant classic and packs the dance floor at live performances every time. In 2011 Mark released the ambitious project “Built to Bust” which featured the hipster-swing classic “Do Lovin Right” and the Chicago-Blues romp “Tough all over”. Mark’s newest release “One way ride to the Blues” is already a strong seller worldwide in its first month of release. The Mark Cameron Band is consistently a top finisher in Blues competitions over the past several years and was featured on the 2012 Minnesota Blues All-Stars album. The Mark Cameron Band made over 40 appearances during 2013 at nightclubs, concerts and festivals throughout the USA.

Known as a charismatic front man and soulful guitarist, Mark engages his audience directly in live performances and delivers his original compositions with a mix of sincerity, honesty and often a touch of humor. He is equally at home on acoustic or electrified instruments and retains producer credits on all of his recorded projects. Marks vocal range stretches from basement baritone to full-on growl and his original lyrics draw the listener in and paint a picture of the many worlds within the Blues.

Mark is joined onstage by Sheri Cameron on flute and percussion,Dan Schroeder on drums, Scott “Thunder” Lundberg on Bass and Bill “the Killer” Keyes on Harmonica.

For more information please visit our website: www.markcameronmusic.net